The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière
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65年的片子绝对值得看就凭John Wayne 和老道格拉斯 战争场面非常逼真以当时的条件打扑克视频全过程没有电脑特技近3个小时完全不觉长故事和人物设定可信和自然打扑克视频全过程没有说教和苦大仇深照样打动人心演员演技完全在线 喜欢太平洋战争电影的更加不能错过《爱的印记》里的肖夫坦很年轻打了一次酱油亨利方达又在里面做海军最高统帅
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